Showing posts with label Ginjo-shu. Show all posts
Showing posts with label Ginjo-shu. Show all posts

Thursday, September 15, 2011

Kawacho Junmai Ginjo


From Gunma Prefecture's Nagai Shuzo, producers of the very delicious Mizubasho Ginjo. I don't seem to come across a lot of Gunma sake around here, which is a shame, as my one and only visit to the area, to the tiny hamlet of Sarugakyo, is firmly imprinted in my memory. Oh, to go back to Sarugakyo! Kawacho, take me away!

Rice information not given, oddly, but SMV +8, 15.5% abv and... "pH" of 1.4... er, that can't be right... this is not a strong acid... let's assume that's just the regular sake acidity, which is slightly above "average", but not that much! A prominently fragrant perfume, silky, medium bodied, lightly nutty, rounder than expected, but a drying, lightly savoury finish. It's a bit more demanding than the Mizubasho, but if one may cast non-aspersions, it does seem of the same family.

Thursday, September 1, 2011

Nihonbashi Daiginjo

This sake was sent to us recently by a friend who lives in Tokyo, it's one of the "gold medal" winners at the BY23 (this year) national sake evaluation. Ok, so 286 out of 1085 entries won a gold medal, but these competition sake are the cream of the crop, for the entire country. Nihonbashi Daiginjo (can't read the main kanji - anyone care to illuminate?), by Saitama Prefecture's Yokota Shuzo. 100% Yamada Nishiki, semaibuai 40%, SMV +5, acidity 1.3. TREMENDOUS ginjo nose, smooth, clean sweetness. Doesn't taste as dry as the numbers suggest, silky goodness. Yum!

Here is the toji, and this gives me something consider for my next attempt at drip-pressing. BUT, I really need to get better bags for the purpose.

Sunday, April 10, 2011

Tedorigawa Daiginjo Kokoshu


This is a special, small-batch (only 750kgs of rice, milled to 40%) sake from Ishikawa Prefecture's Tedorigawa, completely te-zukuri, i.e., handmade, and aged for 3 years at low temperatures. The end result is a deeply satisfying (and expensive) brew, very clean, mineral and melon nose. sweet, round, but very high mid-palate acidity, long tingly finish. A shame it's so dear!

Saturday, February 19, 2011

Dassai 50 Junmai Daiginjo


The "Otter Fest" sake, from Yamaguchi Prefecture's Asahi Shuzo. Yamada Nishiki and omachi milled to 50%, SMV +4, acidity 1.5, amino acidity 0.9, and 16.5% abv. Pretty aroma, floral, fruity and clean. On the palate, concentrated, sweet fruit and rice pudding, syrupy, but transitioning to a dry, not-quite-sharp finish. Lovely to drink, even if the company claims they don't make sake for drinking, only for "sipping." Rightfully popular stuff.

Friday, February 4, 2011

Nechi Otokoyama Junmai Ginjo

Nechi Otokoyama Junmai Ginjo
The last of the bottles from my most recent Japan trip, from this Niigata Prefecture brewery. Gohyakumangoku milled to 55%, SMV +3, acidity 1.5, amino 1.2, and 15.6%. Fragrant, melon forward nose. Yeasty, medium-bodied, active acidity, sweet, yet dry, lots of rough minerality. Very tasty, not as "pretty" as the label might suggest.

Sunday, January 30, 2011

1990 Daishichi Ginjo Koshu

1990 Daishichi Ginjo Koshu
A junmai daiginjo from this Fukushima outfit, cold-aged in tank, bottled in October of 2006. Semaibuai 40%, 15% abv. Fascinating, elegant sake. The colour, first of all, is simply not tinged with age, clearly suggestive of cold storage. But aromatically and flavourwise, it is anything but. Rich, tangy, strong wood spice notes, wet bark, mushroom, yet light and fresh, creamy and round yet ethereal. Simply a tremendous sake experience.

Tuesday, January 11, 2011

Rashomon Junmai Ginjo


From Wakayama Prefecture's Tabata Shuzo. Brewed from Yamada Nishiki, a proprietary house yeast, and the waters of the Kinokawa... big river sake? SMV +4, acidity 1.4, and 14.5% abv, almost no nose. A-fragrant. But, solidly sweet and fruity entry, fast transition to a moderately bitter mid-palate, and a soft but dry mineral water finish. Pleasant and easy to drink.

Sunday, December 12, 2010

Rikyubai "Wandering" Junmai Daiginjo


One last souvenir from my recent visit to Mukune, a junmai daiginjo made from omachi rice. Milled to 50%, SMV +1, acidity 1.9, amino acidity 1.1, 901 yeast and 16.4% abv. Appreciably nutty, steamed fruit, slighty herbal nose. If Mukune has a signature, it's the slight tendency to sweetness and an undercurrent of savouriness - both on display here, in a slightly amplified volume, but remaining in balance, very nice bitterness on the finish which fades to reveal a clean cinnamon and rice starchiness. Another full-of-personality daiginjo!

Monday, December 6, 2010

Ume no Yado Junmai Ginjo

Ume no Yado Junmai GinjoFrom Nara Prefecture's Ume no Yado, Yamada Nishiki milled to 50%, SMV +3, acidity 1.5, and a hefty 17.5% abv. Rich fruity nose, full of cantaloupes, carrying over into the palate, which tastes sweet, rich and concentrated, round and full, but equally balanced by a rising late acidity and well-placed bitterness on the edges. Perfumed without getting floral, very enjoyable and easy to drink.

Tuesday, November 30, 2010

Hakurei Junmai Ginjo Daikarakuchi

Hakurei Junmai Ginjo Daikarakuchi
From Kyoto Prefecture's Hakurei, located near Amanohashidate on the west coast. Yamada Nishiki grown on the Tango peninsula, milled to 60%, SMV +10, acidity 1.7, and 15.5% abv. Sweet and floral nose, followed by a sweet and savoury entry, medium bodied, starchy and unsurprisingly, very dry, leaving a long, clean, astringent, almost ringing sensation in the mouth. I'm digging this, and the bottle has a pleasantly different shape, with a more elegant but abbreviated neck - I'm enjoying looking at this bottle, and then I'm enjoying drinking the contents. Simple pleasures.

Wednesday, November 24, 2010

Daishinsyu Junmai Ginjo

Daishinsyu Junmai Ginjo
From Daishinsyu Breweries in Nagano Prefecture, which, it seems, has proven that sake-brewing is the elixir of long-life, as the previous Toji semi-retired just a couple of years ago at the age of 92! Or perhaps it is just their sake? This one is, perhaps a bit unusually, 100% Yamada Nishiki. Most of the sake here is brewed with Miyama Nishiki rice, and except for the Yamada Nishiki, all of it is grown in Nagano. Perhaps this is why they don't offer any more information on this sake than that it is milled to 60% and clocks in at a modest 15% abv. Nonetheless, long life! Nose is elegantly light, more floral than fruity. Clean alpine flavour, soft, sweet fruitiness followed by a sweet grain alcohol finish that does not burn. Yum! Now need to get some Nagano soba in me!

Tuesday, November 16, 2010

Sake Monogatari Aki-agari Ginjo Hiyaoroshi


One more souvenir from Osaka Prefecture's Mukune, a singly-pasteurised brew, and the first batch of fall-release sake. Gohyakumangoku and Nihonbare milled to 60%, SMV +3, acidity 1.6, 17.5% abv. Floral nose with darker wood and sour roast rice notes. Moderately big and round on the entry, caramel and wood spice on the mid, followed by sharp acidity and assertively dry finish. This is all transitional, bold and lovely for a cool autumn evening.

Thursday, November 11, 2010

Genbei-san no Ginjo Genshu Namazake


From Kyoto Prefecture's Fushimi district, Yamamoto Honke exports a number of sake to the U.S., none of which particularly hold my attention, let alone affection. Which is a shame, because this stuff rocks! 17.5% of fragrant, syrupy, sharp and intoxicating goodness. If this is indeed Mr. Genbei's brew, Inari bless him and all of the brewery's 333 years (yes, founded in 1677!) Served on tap from a tank sitting squarely in the brewery's on-site specialist chicken restaurant, Torisei, which is equally a cracking good time. Not to mention the excellent sake lees soft-serve ice cream available at their shop next door. Forget Ryoanji, Kinkakuji, Kiyomizudera, Heian Jingu and Arashiyama, this is the highlight of any visit to Kyoto.

Saturday, October 23, 2010

Kyoto Wrap, Part II

Continuing on this particular odyssey, a huge can of sake, half a litre of Kikusui Funaguchi Ichiban Shibori Honzojo Nama Genshu - I quite like this sake, the ultimate winter warmer, but this is a lot of firepower!


Liquor Mountain in Fushimi, where we picked up a pair of 20% nama genshu, for breakfast.


Back to Torisei in Fushimi for more of the delightful ginjo nama genshu.


So, they keep the tank of sake right out in the middle of the restaurant, but I'd not seen them top up the tank before. Only wish they'd pick a nicer bucket, rather than the kind that one finds in Asian toilets.


Having gone for a quick dip in Arashiyama (ok, ok, I fell in), warmed up with some familiar convenience-store purchases: Tama no Hikari Junmai Ginjo and Shirataki Mizunogotoshi Junmai. Standard fare, the former being true to Fushimi-style, soft and neutral, and the latter being slightly unusual Niigata fare, soft and slightly round, but still clean.


Back to Nichi-an. My first Jokigen, a ginjo yamahai genshu, yamada nishiki milled to 55%, SMV +6, acidity 1.4, amino acidity 1.2, and 16.5% alcohol, which seems particularly low for a genshu. Not that I could tell that it was yamahai, genshu, and not junmai. Very tasty and balanced.


Ebi-san at Nichi-an. I really would appreciate if someone could tell me what the one on the right is... "Etsugaijin?" But not that gaijin. On the right though, my first Furosen, a Yamahai Junmai Daiginjo - one of the very, very few breweries that don't use any cultured yeasts. Graceful with richness and umami, but certainly not wild.


Another first for me, Jyuyondai Tatsuno Otoshigo Junmai Nama - the tatsuno otoshigo (seahorse) is the name of the rice varietal. Soothing and pretty gentle, but what a price! ¥3400 for the 720ml bottle.


Having tired of walking, we took a day trip to Amanohashidate. The train, as ever, is an opportunity to drink sake. Another of Fushimi's own, Tomio Junmai Ginjo Hiyaoroshi, which was full of fall feeling, just plumped up and savoury enough.


Back to Kyoto, Daimon-san at Mukune had recommended that we visit the sake bar Yoramu, which is run by an Israeli guy. I can't help but feel we'd have had a better experience if we were actually Japanese, which is a strange twist, but I'll leave that alone and just comment on the sake. The focus here is on unpasteurised sake, and aged sake, much of it aged by the owner with a strict foreswearing of temperature control. Given that most producers are reluctant to ship namazake abroad because of a) lack of temperature control and b) shipping time affects freshness, here is a shop on the far side of the spectrum. Above, Kidoizumi Junmai Nama Genshu, an organic producer from Chiba, one of the prefectures I missed on my One Koku Challenge. This had unmistakeable genshu power, though the nama-ness was not so evident. Of course, the owner insists that "most sake is not ready to drink for 3 to 4 years", so who knows what this bottle has lived through.


(L) Kariho Yamahai, apparently not the Namahage, and aged by the proprietor for 10 years, in his hall closet. It was surprisingly mellow, not raging and mad like the Namahage, with only a mild sourness giving nod to the method. (M)Joho - not sure of the brewing details, except that although this sake was bottled in 2008 (20BY), it was actually aged, warm, by the brewery for 8 years before that. Again, unexpectedly mellow, only the earliest hints of madeirization. (R) A mystery producer, but lots of details - junmai muroka, gohyakumangoku rice milled only to 80%, SMV +8, acidity 2.7, 19.5% abv (genshu?), and aged for 4 years before bottling last year. The "wildest" of the group, but primarily for the acidity.


(L) Another organic producer, from Kochi, Mutemuka (no hand, no crown) Junmai Nama. Aged by the producer for 6 months at room temperature, resulting in a biggish but dry sake with a particularly earthy and ricy finish. (M) The same Terada Honke as earlier at Umi (oho, not so unique are we, Mr. Yoramu?). (R) Maibijin Yamahai Junmai, truly a "dancing beauty."


Back to Nichi-an, for dinner and more sake. Unfortunately, at precisely this moment, my back legs failed and I have no recollection whatsoever of the producer. As you can see, the label is of no help in this matter, but what it is is a "single-paddy-field" sake. We tried two, this 611, and another, the 437. They struck me as being particularly fragrant and fruity, a bit like dewasansan rice. I wish I could remember the brewer's name!


Next day, back legs recovered, a less-exalted lunch along the river in Arashiyama, with this "shibotasonomama", a variation on "just pressed" that I've not seen before this trip (but now seeing everywhere.)


Being the friendly sorts we are, we invited some passing-by kayakers for a drink, and they heartily accepted (and approved of our selections.)

And finally, the last sake selections of the trip. (L) Suigei Junmai from Kochi Pefecture. Love the name, "drunken whale", and the sake is lovely and dry, and this is no exception. I prefer this one though, made from Hattan Nishiki, to the tokubetsu junmai made from Matsuyama Mitsui - not sure why, just not keen on the latter's anise notes. (R)Bijofu Junmai Usu-nigori, not only just lightly filtered, but bottled with the intent of allowing continuing fermentation, and thus, a lightly sparkling, but thoroughly dry sake. Not as tasty as Mukune's usu-nigori, but probably the tastiest sparkling sake I've tried.

Odd or not, it took about a week of being back in the U.S. before I felt the need to open a bottle of sake again. More on that, soon.

Wednesday, October 20, 2010

Kyoto Wrap, Part I

Another excellent trip to Japan, 11 days in and about Kyoto. Heavily focused on sake-education. Exhibit 1 is the menu from Umi in Pontochō, a place that seems to be more sake bar than izakaya.


As with all exercises, it is important to warm up properly, so, to another "Umi", also in Pontochō. My eyes trained immediately on a namazake from Denshu.


From Umi to shining Umi, as the song goes. Note the exquisitely prepped and dried fishies.


On the left, Kirei Junmai Karakuchi Hachiju from Hiroshima - unusual in that the rice here is only milled to 80%, reflecting the new rules for junmai. A full on 17.5%, and a proper departure from Hiroshima's soft sweet style, which the owner attributed to the water the brewery uses. Maybe not as "pretty" as the name suggests (a play on words actually, as the kanji refers to the age of a turtle), but a tastily forward sake.

On the right, Chikusen Chokarakuchi Junmai Genshu from Hyogo, 100% Yamada Nishiki, SMV +14, and 20% abv! Not for the faint of heart!


Unfortunately, I can't decipher the junmai ginjo on the right, but the Yamagata sake on the left is no secret. Or, rather, it is, "Naishyo" Hiyaoroshi Junmai Nama Genshu, which was as brash as might be expected from this combination, and also rather earthy.


We made a lunchtime visit to Mukune, where I participated in a brewing internship last year, and where R. and I had visited the year before, our first meeting with Daimon-san. Daimon-san assured me that none of the sake we interns had worked on had gone wrong, and that in fact most of it was now sold. Amongst the many sake we had over lunch (including the last of my favorite Daikanzukuri Kasumi-shu Usu-Nigori) was this aki-agari, the first shinshu (new sake) from last season, and the first sake to be released in the fall season, after the customary aging over the summer. Wonderfully alive, sharp and dry, yet smoooooth. It should be noted that what is exported is not Mukune's most alluring stuff. No, the locals drink that all by themselves.


20 year-old koshu in Yamamoto-Honke's chicken-focused pub, Torisei, in Fushimi. If anyone wants to try chicken sashimi, this is the place. Haunting is not the right word for this sake though. Disturbing is more like it. Certainly madeirized, but maybe more in common with marmite and shoyu than sake. My man G. was complaining about the aftertaste days later. Still, given that their ginjo nama genshu is so good, and this is certainly out there on the fringes, I don't understand why their onigoroshi is so pedestrian (and more so, why they have to send it to the U.S.)

More GNG, please!


Mukune-interns may remember "Stand"-ing in Fushimi. The owner certainly remembered us. Excellent kushikatsu.


I might be wrong, but I think this junmai ginjo was from Matsumoto Shuzo in Fushimi, Nokomi?


At any rate, when it came time to pay and leave, G. was offered a job. If only. I love this place.


Certainly looking the part.


Irrashai!!!! Of course, G. made a proper hash of it, scaring the locals. Not ready for Captain Fantastic and the Brown Cowboys, it appears.


Another bash at Umi in Pontochō. (L) Terada Honke Junmai Nama. This brewery is truly out there - all organic, brewing 100% in the kimoto style, and additionally, with no cultured yeasts added at all. Can't argue with their belief in the Japanese proverb Hyakuyaku no Cho ("sake is healthier than 100 medicines.") Milled only to 90%, and unusual. Sour and earthy, this is not tanrei. (C) I may have misunderstood this one, because I thought the proprietor said Kaiun, which I know, but he said that it Kaishun. Never heard of it. On Junmai Nama, and, again, if I've understood correctly, fermented in wood vats. More familiar than the Terada Honke, but still with that pronounced earthy sharpness. (R) Kitajima Tokubetsu Junmai Kimoto Nama Genshu, easily the cleanest of the bunch, but also the most powerful, and a sort of tame nama, so a bit dangerous!


They just kept rolling out. The Terada on the left, but now the (C)Daishichi Junmai Kimoto Nama Genshu, which I know and love, and the (R) Naishyo from the previous visit.


And finally, a doburoku style sake made by Nara Prefecture's Okura Honke. I noticed this in some restaurants in Nara as well, which I found a bit surprising, given this sake, brewed in a 600-year-old style, was more of a dry alcoholic cross between rice pudding and a vanilla milkshake, complete with a sprinkling of cinnamon. This, sadly, was the closest I would get to Shirakawago's Doburoku festival, held while we were in Japan, but ultimately far too difficult to get to (and no accommodation to be had for miles.)


Speaking of Nara, there was a small fair outside Todaiji in Nara Koen, with this stand of local sake, including, of course, Harushika, Ume no Yado, and my favorite Mushohai.


My favorite sake shop in Nara. I still don't know the name, but I know how to find it. Or, at least I always end up there.


And, on the way back to Kyoto, some refreshments for the train, three Nara cup sake.

Friday, October 1, 2010

One Koku!


What better way to complete the One Koku Quest than on Nihonshu no Hi??

Shichifukujin Tokubetsu Junmai
I've actually been trying to track down this Iwate Prefecture number, Shichifukujin Tokubetsu Junmai, from Kikutsukasa Shuzo, almost since the beginning of this little adventure. There's really very little information I could find about this sake though, SMV +3 and 15.5% abv. Savoury leesy nose, more savoury entry-notes, silky, then a sharp, clean, but heaty finish, oddly more pronounced the colder it is. Assertive personality, with a delayed but pleasantly clean and refreshing aftertaste of steamed rice. Mouthwash for the "Seven Lucky Gods!"

So, 1 koku of sake! 180 litres consumed, all by isshobin, 100 unique bottlings (repeats were not counted), all but two available in the U.S. All consumed within 21 months, though I should discount about 2 months worth of travelling to sake-barren locales, and our somewhat curtailed but not eliminated wine and beer habits surely didn't help. Eliminate as well at least a month's worth of waiting time for this last bottle, and I think this could have been safely managed within a year!

Securing unique bottles towards the end was getting difficult. Of course, it would have been easier had I just ordered the whole lot of Kubota and Hakkaisan, but the easy way is not the interesting way. If anything, we've learned a lot about just how diverse the sake offerings just within the U.S. can be, especially considering the format restriction. While there are certainly more than 100 different isshobin available here (but maybe not 100 more, maybe not even 50 more), they're not the easiest to track down, especially as there are definitely some geographical and market issues to overcome (i.e., many distributors do not deal with retail outlets, rather directly with restaurants and bars, and good luck if you don't live near NYC or San Francisco/Los Angeles.)


Nonetheless, we managed to drink sake from 90 different companies, brewing in 39 Prefectures, missing only Okinawa and Kagoshima, which produce no nihonshu, plus Kyushu's Miyazaki and Nagasaki, Shikoku's Kagawa, and Kanto's Kanagawa and Chiba. Predictably, Niigata was tops prefecturally, with 13 bottles represented (good thing we skipped Kubota after all.) Yamagata and Shizuoka rang in with 6 each, followed by Fukushima, Akita and Nagano with 5. For the most part, my selection criteria was first and foremost availability; only latterly did I start looking for sake from specific prefectures. Still, the distribution demonstrates the popularity of the clean alpine style, both at home and abroad.

Predictably, only 13 bottles were in the aruten style, i.e. alcohol-added, of which 6 were futsushu. Taxes! Actually, 6 futsushu was a bit of a surprise to me, as apart from the Australian Shirayuki, none were from the big house brands. At the other end, only 4 bottles were at the junmai daiginjo / daiginjo level, again not surprising to find so few of the more rarified, and costly, stuff. The bulk was "plain old" junmai, 37 in fact, plus 18 tokubetsu junmai, and 29 junmai ginjo.

Despite the apparent geographical clustering, the range of styles available here in this format is impressive: kimoto, yamahai, nama, genshu, muroka, taru, and a number of karakuchi of various descriptions. And while it is no great surprise that Yamada Nishiki, Gohyakumangoku, and Miyama Nishiki accounted for almost half the bottlings, 22 other rice varieties found their way into these bottles.

Finally, some statistics:

Semaibuai: 59.3% (avg., out of 95), ranging from 70% to 40%
Nihonshu-do: +3.9 (avg., out of 89), ranging from ±0 to +17!
Acidity: 1.5 (avg., out of 81), ranging from 1.0 to 2.0
Amino Acidity: 1.4 (avg., out of 25), ranging from 1.0 to 1.9
ABV: 15.5% (avg., out of 88), ranging from 14% to 17.5%

I have to say that the numbers are all a bit larger than I'd have expected setting out, but it's an interesting set - fine, dry, with a tendency towards structure and flavour. On the whole, couldn't complain about what was in the bottles. My complaints would be limited to what was on the outside! Information like this was only sporadically available on the bottle itself. Worst though was information on the choice of yeast, whether on labels or online. I could only find yeast choices for 24 brews, of which 12 were #9, and 3 were #10. Even if brewers feel this shouldn't be important to the consumer, I think people would still like to know. It certainly wouldn't be difficult to put this information on the back labels.

Importers! Please!

So, having gone through this, I imagine my sake postings may not be as frequent, as we still like to drink from isshobin (it remains the best value in sake!), but there aren't so many new products to try. At the same time, having finished the "quest", hopefully I'll use the regained flexibility and try some of those "little" bottles. And, there is definitely some exciting stuff coming my way soon!