Thursday, April 29, 2010

Kagatoubi Junmai Ginjo

Kagatoubi Junmai Ginjo
From Ishikawa Prefecture’s Fukumitsuya Shuzo, I like this producer a lot – if only more of their impressive range (as many as four different junmai daiginjo) were available abroad. Sigh. Another slightly older outfit, some 380 years in age, they’ve taken a modern approach to marketing, with some lovely boutique stores. Notably, there’s one right in the heart of Ginza in Tokyo, with a great tasting bar including a number of koshu. This junmai ginjo is brewed from yamada nishiki (grown in Hyogo) and kinmon nishiki (grown in Nagano) milled to 55%, SMV +4, acidity 1.4, proprietary yeast and 15.9% abv. Fragrant, ginjo bloom on the nose, smooth and quite soft on the attack, moderate starchiness on the mid, and ample acidity on the back end.Solidly built around rice flavor, proportions keep this centered in all aspects, I think. Very sessionable. Sadly, only the single tiny bottle on hand.

Monday, April 26, 2010

IndoVino

While on a quick stop in Bangalore, I made a detour to Dodaballapur in the Nandi Hills area north of the city to visit India’s “premier” wine producer, Grover Vineyards. Advised by Michel Rolland and even recognized by Decanter some years back, I myself have had relatively positive experiences with their reserve wine, and was curious to learn more about the current state of Indian wine-making.

Up the driveway.

Through the doorway.


Across the courtyard.


And not directly, but on to the vineyards. Most of the grapes are grown here, with a “small” amount grown in the Naushik Valley, near Pune in Maharashtra. Total area under vine is about 200 hectares, yielding approximately 7.2 million litres per annum (800,000 cases), which it was suggested is small in comparison to the likes of Sula and Chateau Indage. 40% is exported, to the U.S., U.K., France, Australia, New Zealand and Japan! Of the remainder, 53% is red and 47% is white. Funny sort of statistics, not sure where the two rosés produced fit into the equation, but this is what they said. It was explained to me that the domestic market far prefers red to white, particularly with various Indian cuisines, though that might be better reflected by other producers. In practice though, white wines are widely outnumbered by red on restaurant menus, so perhaps it’s true.


Sauvignon Blanc. Other white varietals grown are Chenin Blanc, Viognier, and Clairette. The soil is primarily limestone, with very good drainage. Daily irrigation is required, almost 3 litres per vine per day, all with collected monsoon rainwater.


Cabernet Sauvignon (pictured), Syrah and Grenache are the red varietals under vine. Harvest is expected by the end of April. While there is a second flowering that takes place in the fall, Grover chooses not to have multiple harvests, and prunes back in October. Veraison for the spring crop occurs in February. The varietals grown were selected after 9 years of research. Apparently, merlot and chardonnay are not successful in the local climate, and vine life is limited to about 25 years. This does make me wonder why there isn’t more of an attempt to try this sort of venture in cooler climes. If I’m remembering correctly, the Cabernet vines we saw are 8 years old, while the Sauvignon Blanc vines are 15.


With 95°F heat, I was wondering what they did for temperature control. Walking into the facility, it felt as if they’d air-conditioned the entire place, but it turns out that each fermenting tank is individually wrapped and cooled with chilled water.


Oak is currently only used for the flagship, La Réserve, an intentionally internationally styled red cuvee a la Michel Rolland, but these are being used experimentally with the whites. I was interested to learn that another of the consultants here is George Vesselle, who I’d met over dinner at the Bouzy vins clairs festival in 2008. Apparently, he and Kenwall Grover had the same birthday or some such thing. Seems as good a reason as any.


Oxygenating the wine. The fumes were powerful and heady. My eyes were burning at any rate.


Crates used for the hand-harvesting.


Is this what Sunil Gavaskar was talking about during the 20/20 semifinal between Chenai Super Kings and Deccan Chargers? Fingers-up versus fingers-down fielding? No? Well, this room is used to cool the grapes down after picking and before crushing. Basically, a big air-conditioned room to bring the grapes down to about 70°F.


The sorting / de-stemming kit. All the reds are de-stemmed, sometimes the whites are not.


Centrifugal presser.


Filtration machine.


The chemistry lab is behind the windows.


Bottles being “rested” before labeling. These were screw-capped, so I’m guessing they were only laid horizontally to maximize space.


Only La Réserve is bottled with natural cork. Everything else is screw-capped.


Labelling.


The barrel room for La Réserve is subterranean, I’d estimate about 200 barrels. La Réserve is roughly 80% cab / 20% syrah, each varietal barrel-aged separately prior to blending, 1/3 each in new, 1 y.o. and 2 y.o. French oak barrels from Saury.


Tour over, time to taste! This not very Indian-looking young lady is a business school intern from France, whose parents are winemakers in Chateauneuf du Pape.


The tasting room


We tasted four wines from the Art Collection, which is released approximately 1 year after the harvest. The labels are all by contemporary Indian artists, and change with each release. There is also a Shiraz, a Chenin Blanc, and a “Blanc des Blancs”, which is not a sparkling wine at all (though there are plans for a sparkling Chenin in the future.) We did not try the basic Santé line, nor La Réserve, the only wine I’ve had any prior experience with. Will have to see if I can find a bottle before I leave (apparently Grover is hard to come by in Madras.)

2009 Sauvignon Blanc (12% abv) – pale and limpid yellow, guava and apples, only hints of grass on the nose. Good fruit concentration, minerality, almost medium-bodied but cut well by the acidity. A pretty pleasant surprise for a varietal I’ve had little love for.

2009 Viognier (12% abv) – a 90/10 blend of viognier and clairette. Brassier in colour than the sauvignon blanc, herbal and dark on the nose, with watermelon rind notes. Round though not off-dry, medium bodied, waxy, with prominent pineapple flavor and modest cut. Not a taste I love, but balanced.

2009 Shiraz Rosé (12% abv) – a saignée with a lovely orangeish pink hue. Strawberries and watermelons hiding behind a veil of smoke and tomato leaf. Good concentration, quite juicy and the r.s. is evident, but there is also a pleasant tannic astringency that makes this quite refreshing. Turns out to have been the wine I most enjoyed. I’m sure the 35°C / 95°F helped.

2009 Cabernet Shiraz (12% abv) – a naked 60/40 blend, poured a deep murky garnet, with powerful red and black fruit aromas. Surprisingly creamy, though no vanilla or other applied oak identifiers. Ripe and fruit forward, not sweet or jammy, good tannins, but a bit astringent and medicinal, indicating brettiness. The finish though was very short, and it feels like either it needs some airtime, bottle time, or passing over time.

Verdict? Actually, not too bad, pleasant, drinkable, inoffensive wines. A Sauvignon Blanc I can more than tolerate, that’s a plus. On the whole, I thought the whites were superior to the red, but I also have good memories of La Réserve, so perhaps the Cabernet Shiraz just needs a bit of air or time. Admittedly, that memory is coloured by relativity to other Indian wines, especially some of the woeful products coming out of Chateau Indage! I was even tempted to pick up a couple of bottles here until I learned that they are not permitted to sell directly to visitors! If you think U.S. labeling and alcohol laws are complicated, just try scratching the surface of India’s regulations. Ugh.

Saturday, April 24, 2010

Cricket

cricket
The Indian Professional League of 20/20 Cricket has raised the bar for even this cricket-mad country. Last weekend, the Chennai Super Kings took on the Punjab Royal XI in Dharamsala, in a must-win match for the former. On hand to greet the players was the Dalai Lama, and it was really rather touching to see how every player, regardless of faith or country, appeared genuinely reverent and pleased at the opportunity. The Dalai Lama took in about half of the first session and seemed to have a good time himself. Good times all around, a nice segue from the anxiety preceding Saturday’s bomb blasts outside the Bangalore stadium.

Thursday, April 22, 2010

SakeFest


Last Wednesday evening was the 2010 Philadelphia SakeFest, and I was helping out with the Wine of Japan portfolio's local distributor.



Only a handful of quality brews were on offer at other tables, I recall seeing (ok, tasting) one brew from each of Dassai, Umenishiki, Tenranzan, Kariho, Dewatsuru, Narutotai, Kubota, Kikusui, Ichi no Kura, Suigei, and Ohyama . Apart from an Ohyama Nigori, nothing unfamiliar, so that was disappointing. It was nice to see some Hitachino beer though, in particular a brown ale aged in sake casks. No obvious wood notes, but a certain roundness.



We poured Niwa no Uguisu Tokubetsu Junmai (Fukuoka), Ugo no Tsuki Tokubetsu Junmai (Hiroshima), Kaiun Junmai Ginjo (Shizuoka), Garyubai Junmai Ginjo (Shizuoka), and Kitaya’s Ai no Hime junmai nigori awashu (Fukuoka.)



Good crowd, seems like everyone had a good time. I do wish more distributors were on hand though, seems like quite a lot less being poured than in previous years. Thankfully, I got to do all my tasting beforehand!

Wednesday, April 21, 2010

Komedake no Sake [1 Koku - 20]

Yoshinogawa Komedake no Sake
From Niigata Prefecture's Yoshinogawa Shuzo. Gohyakumangoku and Niigata-san Uruchi milled to 62%, SMV +4, acidity 1.3, and 15% abv. Restrained but confidently savoury nose of sushi rice - so, a little malty, with mirin and vinegar notes, rich and sweet entry yet paradoxically light and refined, elegant fruit and grain, starchy mid-palate and then a fleetingly light yet persistent finish which does just enough to remind you what passed. Not mind-bending, but a very comforting, comfortable sake.

Yoshinogawa is the oldest and most award-winning brewery in Niigata, brewing since 1548 and helmed by its 19th generation president, Koji Kawakami. Water comes from a well within the kura compound itself, and the brewery takes especial pride in the fact that a portion of the rice used is grown by company employees. At the same time, a cleanroom (not just a "clean room") is employed for bottling purposes, another example of the seamless intermarriage between artisanal craft-brewing and modern technology. Chapeau!

Sunday, April 18, 2010

Mizubasho Ginjo [1 Koku - 21]


From Gunma Prefecture's Nagai Shuzo, made from Yamada Nishiki milled to 50%, SMV +4, and 15.5% abv. Fragrant cantaloupe with a little bit of Chinese incense. Light but firmly sweet entry, mild pear/apple fruit, honeyed tones, plush yet dry and drying, with good late acidity, and a sweet, sweet mineral springwater finish, that does finish with a bit of satisfying and ascending warmth. Really delicious as it comes to room temperature. Oh my, that's tasty.

Thursday, April 15, 2010

Brooklyn Brewery

Brooklyn? I'm not sure I've been to Brooklyn before. Does this count as exotic travel? I've never been to a part of New York with fewer falafel shops. But, this corner is worth re-visiting.


The Brooklyn Brewery is located in Williamsburg, in a pretty nondescript warehouse district.


On Friday evenings and Saturday afternoons though, they open to the public, and the people flock. Mostly locals, and a young crowd at that.


The master of ceremonies, brewcat, sells beer tokens.


Brooklyn itself was a hotbed for American brewing - at one time more than 100 breweries were located here. Things apparently went south in 50's though, and maybe this collection of antique bottles is most of what's left.


This is clearly a working facility, as pallets of malt and bottling/labelling machines were merely moved aside to make room for guests.


I was interested to learn that when Brooklyn Brewery got started in '87, their beer was made under contract by the Matt Brewer Company, which makes another line of beer I like, Saranac.


The single on-site hopper. Currently, only 20% of the beer is brewed on site, with the rest made in Utica, in Upstate New York. In response to this line of questioning though, their official response is:

Quisque id quam massa. Vestibulum ac ullamcorper nunc. Phasellus ut elit turpis. Aenean malesuada, urna non consectetur sodales, neque sem volutpat eros, eu malesuada dui leo sit amet diam. Duis dolor augue, laoreet at tincidunt ut, feugiat a odio. In dapibus sem at turpis tincidunt pretium.

Got all that? They are expecting to significantly expand their Brooklyn operations later this year. Business must be good.


The current Williamsburg location was initially a foundry (Civil War era), and more recently a matzo-ball factory.


The Brewmaster's Reserve line and Locals 1 and 2 are bottle conditioned in a separate warehouse, located right across the street.


Environmentally-friendly practices on site include the use of wind-generated power and the use of NYC tap water. Sort of makes me wonder what they do to normalise the water from Utica? Or if it matters? It should matter, right?


After a quick look around, off to the bar (at the far end of what looks to be the bottling/labelling room.) It was heaving, great vibe!


But it looked like everyone was having a good time.


sign boardChoices, choices!


Summer AleSummer ale in biodegradable cups.


And a few items for take-away.

Monday, April 12, 2010

Kitaya Junmai [1 Koku - 22]

Kitaya Junmai
From Fukuoka Prefecture's Kitaya Shuzo, a pleasant accompaniment to what is likely the tail-end of the sakura season in this area. Yume-Ikkon milled to 60%, SMV +1.5, acidity 1.5, 16% abv. Cool nose of grain and wet sand. Full and starchy on the palate, surprisingly dry, both for chemistry and regional style, with only a hint of sweetness, and a mild but savoury finish. Mmmmmm. This follows on from an evening spent with shacho in Philadelphia recently. Apart from discussion of Japanese literature (we share a fondness for Abe Kōbō), many cocktails incorporating Kitaya's green tea shochu, and a rousing evening of karaoke (yes, it's true), we drank two more of his sake over dinner:

Kitaya Junmai

Kansansui Junmai Daiginjo - 60% Yamada Nishiki, 40% Yume-Ikkon, both milled to 45%, and brewed with a combination of Kitaya's own in-house yeast and #1801. Elegant, dry and light, with nice umami on the finish. Elegant sake.

Kansansui Junmai Daiginjo Kasumizake - an usu-nigori version of the same, I have to imagine there aren't that many nigori junmai daiginjo in the world. As last time, only barely sweeter, really just adding a bit more texture. I still prefer Mukune's usu-nigori, but on the whole, this is a category of nigori I do actually find palatable.